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Monthly Archives: February 2013
GREAT EXPECTATIONS Vaudeville Theatre
The novels of Charles Dickens, with their melodramatic plots, were so popular that they were instantly staged in pirated versions, often even before Dickens had finished writing them. Graham McLaren’s impressionistic production is chiefly notable for its atmospheric cobwebbed rococo … Continue reading
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QUARTERMAINE’S TERMS Wyndham’s Theatre
When I saw Simon Gray’s play in 1981 in a production by Harold Pinter with Edward Fox in the leading role, I thought it was his best play. Seeing it again after all these years, in a much broader production … Continue reading
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OLD TIMES Harold Pinter Theatre
40 years after its premiere Harold Pinter’s elusive mixture of dreams, reality and gamesmanship doesn’t get any easier and the audience has to work as hard as the actors do. The clue as to how we are to take the … Continue reading
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PORT National Theatre/Lyttelton
Simon Stephens’s slice of working-class life, which is set in Stockport and follows the misfortunes of an abandoned child from the age of 11 to 24, has, presumably, been revived in order to attract a teenage audience to the National … Continue reading
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FEAST Young Vic
Five writers and a choreographer explore the impact of Yoruba culture on Black lives over four centuries in five countries (Nigeria, Cuba, Brazil, US, UK). The result – a collaboration between the Young Vic and the Royal Court, directed by … Continue reading
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THE JUDAS KISS Duke of York’s Theatre
Why did Oscar Wilde not take the boat train to Paris and thus escape arrest and imprisonment for two years? David Hare’s play, with Rupert Everett’s superb performance, has got its well deserved transfer to the West End. There have … Continue reading
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THE TURN OF THE SCREW Almeida Theatre
Peter Quint, a former valet, and Miss Jessel, a former governess, return from the dead, to haunt the house in which they were once employed. They frighten the life out of the new and young governess, who senses their evil … Continue reading
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DI AND VIV AND ROSE Hampstead
All-female plays are rarely box-office. Three young women share digs at university. Di (Tamzin Outhwaite) is a working-class, down-to-earth lesbian. Vic (Gina McKee) is an academic doing a dissertation on the corset. Rose (Anna Maxwell Martin) is upper-class, adorable and … Continue reading
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