Nicholas Wright’s 80-minute play is about the capacity for evil and the possibility of forgiveness. South African psychologist Pumla Gobodo-Madikizela interviews Eugene De Kock, a South African police officer, who was a paid assassin for the Apartheid regime during the 1980’s and early 1990’s. He kidnapped, tortured and killed activists. Such was his brutality he was nicknamed Prime Evil by his own men. He was arrested in 1994. There were 121 charges. He admitted to involvement in murder, attempted murder, fraud and illegal arms possession. He was sentenced in 1996 and has been in prison for the last two decades. The High Court is at this very moment considering his request for parole.
Gobodo-Madikizela is determined not get emotionally involved. She wants to understand how he came to do what he did and what our attitude to perpetrators of such atrocities should be. But can evil on this scale ever be forgiven? It certainly can’t be forgotten. Though the drama is a confrontation between a black woman and a white man, a confrontation between the old South Africa and the new South Africa, it never feels like a confrontation. You never feel you are in the presence of another Hannibal Lecter.
De Kock is presented not as a monster but as a human being. You never feel he is manipulating her. He freely admits his crimes. The only thing he does not wish to be is the scapegoat he has been made for the regime. He feels the guilt and blame should be shared with all those, who directly and indirectly wanted him to do what he did; and that is not limited just to those in political power.
Nicholas Wright’s script is based on Pumla Gobodo Madikizelas’s book, her interviews with Eugene De Kock and recordings from Nelson Mandela’s Truth and Reconciliation hearings. Jonathan Munby’s production has been seen in Cape Town and Johannesburg. Noma Dumezweni and Matthew Marsh play the leading roles. It is difficult to imagine them being better acted.